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Want to keep the "real" Korea experience with you always? Prints of any documentary/art photo I have taken on this site are 175,000 KRW ($175 USD), signed, numbered, and framed. For the print only, you need only pay 125,000 KRW ($125 USD) for the same without the frame. Please contact me directly via email for orders.
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Before you say this site is "anti-Korean" or bashing Korea – read this: "Why Be Critical?" Chances are, if you're simply angry because I am a social critic in Korea but not actually Korean, see if your argument isn't just a kneejerk response that follows these patterns.
Session 1: Just the Basics Dealing with the basic operations and functions of your DSLR, explaining each function, button, and doo-hickey. The bulk of the session is likely going to stick around the relationship between aperture and shutter, as well as depth-of-field. Basically everything on your camera has something to do with this relationship.
Session 2: Composition and Shooting (Shooting Session 1) We'll take those examples and look at them on the big screen, while also answering the concrete questions that will pop up about the stuff we learned before. Then we'll talk about composition and other framing issues, including lens lengths and why some lenses are worth $100 bucks and some are worth $10,000.
Session 3: Flashes and Advanced Exposure (Shooting Session 2) Dealing with flash, in terms of compensating above and below exposure levels (bracketing), as well as other bracketing techniques in general.
Session 4: Final Session/Critiques Keeping it open, determined by the class.
Four 3-hour sessions, as well as shooting sessions, photo discussions, and critiques. An individual photo essay will also be done as part of the ongoing class assignments. Inquire at the email address at the top right of this page.
Here are some key posts, for those of you new to the blog, which are a sampling of some of my thoughts about race and ideology in Korea and in general, my view of what it means to be a true American, my answer to the question of "Why don't you talk about more positive things?", my thoughts on why the Korean media is so unprofessional, thoughts on the Korean education system (here and here), my post about and examples of racism in three countries' media and the difference in the way they're handled, my posts (here and here) channeling my anger about Katrina, my post about being black in Korea and the whole Hines Ward thing (here and here and here), a post directed against the fashionable racism of even so-called "progressive" Asian Americans, my first attempt at online activism – a petition against KBS, and even random posts such as why I love Apple and have used an Apple computer, why I think Korea doesn't like Star Trek but should really love Battlestar Galactica, and I am ashamed to say that I have even blogged about my cats (here and here).
As for my photo book (now in limbo due to editorial differences with the publisher), you can see the representative chapters from the "Seoul Essays" posts below. Note that Chapter 3 remains undone and in limbo on my computer:
Chapter I: On the Surface
Chapter II: Pleasures of the Everyday
Chapter IV: To Hell and Back
I have much, much more, but this is a random yet representative sampling of my work to start with.
I think this was a well-orchestrated ploy to make Paris appear as sleazy as possible. By making women of other nationalities appear sleazy, it enhances the ch'emyon of Corea.
She could have arrived in Victorian lace and the quality of photography and journalism would have been the same...manipulative attempts to downplay the positive and accentuate the sleaze.
Posted by: Mark | November 27, 2007 at 07:07 PM
Or, as I tend to think, they were just seeing her in that sleazy way, or salivating through their cameras (something I understand, but try to compensate for, and hey – they're on the clock!), and simply found the hanbok pics the least sexually exciting, even though they are actually the key shots to be getting – Paris can be walking around in a slinky dress anytime, anywhere on the planet, but you're not going to get her crawling out of a Chosun-era royal carriage wearing a custom-designed, pink hanbok but once in Creation.
Seems stupid of them to give in to hormones while they should have forced themselves to take the money shots, no matter how personally uninteresting they may have found it.
Which led the entire Korean press corps to get scooped by a foreign photog. Annoying.
Wait – who's supposed to be the proud nationalist in this situation, again?
Posted by: Michael Hurt | November 28, 2007 at 12:38 PM