Want to keep the "real" Korea experience with you always? Prints of any documentary/art photo I have taken on this site are 175,000 KRW ($175 USD), signed, numbered, and framed. For the print only, you need only pay 125,000 KRW ($125 USD) for the same without the frame. Please contact me directly via email for orders.
Wow. Double wow. A cure for cancer within a few years? And from a retiree without a college education or medical background? You gotta watch this story. Truly inspiring, truly. You can also read the story while listening to the video.
So it seems that it might not even have to be actual 'nanobots' as has been talked about before in stories looking to nanotechnology as the way towards a cancer cure, but might end up being far simpler. Just find a way to get the particles to the receptors that will let them into the cancer cells, then just flip the switch on the machine. In a few seconds, you're cured? Or something like that?
That's simply unbelievable. And I mean that in the sense of being incredulously hopeful, not cynically dismissive. Damn, Mr. Kanzius. You just might be the man that saves billions of lives. And all from banging around pots in your kitchen.
This was an irritating beginning to the week, so I thought I'd lighten up the mood for both myself and this blog, to show that even levity can come to the gravest of situations, given enough perspective.
My favorite is when Jim responds to being told "the brain is gone," where he seems to react with "Brain...WTF...?" Ah, Star Trek.
OK - I've been out of things for a little, partially because I forgot to pay my Typepad bill on time, and partially because I've been kinda keeping a low profile since the launch. The media frenzy has been crazy, and besides an SBS interview that I gave because SBS is the network doing the publicity for this whole project (and presumably predisposed to not putting Soyeon in a bad light), I wanted to say what I wanted in a controlled fashion (Ohmynews articles and the videos) and stay out of things. As this site's regular readers know, I have a strong allergy to the Korean media, and I've almost never been in a Korean news media piece without misquotes, gross factual errors, or extreme reality distortion.
Here are links to what I wrote up about her on Ohmynews.com, where I've been working with a very good editor whom I met and trust to do a good job. I've not always been friends with Ohmynews, but so far, our work together has been great. Here are the two articles:
"소연아, 한국여자의힘을보여줘!" ("Soyeon! Show the Power of Korean Women!", in which I wrote a public "personal message" of good luck to Soyeon and told her that she didn't need the "good luck" and "safe journey" wishes as much as being told to simply enjoy the hell out of the trip, since it it's going to be the kickass ride of a lifetime. I basically just said, "Have fun" and see you on Earth. It also contained the 3rd video in the series I made.)
이소연씨 인터뷰 두 편을 소개합니다 ("An Introduction to Two Videos about Yi Soyeon" was an article about the first two videos I made as well as the backstory behind how and why they were made.)
I felt that these were the best way to get the videos wider exposure, and that they would be a valuable addition to the mostly PR fluff being produced about her. One of the original hopes with these videos was to point out the somewhat obvious point that SBS should have thought ahead to do pre-interviews with all of the candidates, that it would show the power of new media to bring the real, frank story to the fore in a way the stiff Korean news media can't seem to, and to also show Soyeon's true personality and get her more grassroots support in the public as a way to help tip the scales in Soyeon's favor at final candidate selection time.
I don't know if I accomplished any of those goals, but I do think the interviews are fascinating materials, and capture a side of her that will inevitably be gone once she returns to Earth as Korea's superstar and national hero. I think her status as a woman, as a qualified and capable women, will give this entire propaganda exercise the crucial PR value and power that will raise it above the status of hackneyed flag waving and ham-handed science education boosterism.
This is because had it been Ko San who'd gone up, it would have been the same old story, the standard plot, the expected narrative; given the fact that the entire ceremony in City Hall was ludicrously corny, with the President of South Korea entering the stage flanked by girls in short miniskirts and appearance by the pop group Girls' Generation, the plastic tackiness of the entire space project seemed to come to the fore. The narrative would have read, "Korea sends man into space. Ho hum. And in other news..."
But somehow, Soyeon's story seems to better resonate with people who know Korean culture, who know how serious gender discrimination is here, and who also know how blatantly many men still defend their right to judge even the most capable woman by the shape of her face or curves of the ass -- her story and the fact that she has received constant criticism for not being an anorexic supermodel who covers her mouth when she giggles and walks pigeon-toed in 4-inch heels has become very, very interesting.
And then came the irony of Ko San shooting himself in the foot while conducting what most reasonable people assume to have been a really incompetent attempt at industrial espionage and the resultant switch in chairs -- that was like the other team going up for the decisive slam dunk during the final seconds of the game...and then biffing it! Suddenly, the space program story had our (my) attention again and the underdog had gotten the ball, alley-ooped it across the court, and swished it, to everyone's surprise and amazement.
Yeah, people say that this is because I'm Soyeon's friend, but I would have thought the same thing had I been just another viewer of the vids and not their creator; I like to root for the underdog, especially when said underdog looks like the more interesting choice. In a way, had Soyeon been the chosen candidate up front, I'm sure many netizens would have grumbled about "women being too powerful" and "discrimination against men." I'm absolutely sure that discourse would have popped out; but with Ko San having done himself in, and seemingly at the behest of the government/corporate spooks that define the worst of Korean corporate/national culture, it was just perfect. Absolutely perfect.
I don't think this whole thing could have gone down any better than it did.
One thing, though. DongA.com did an article that essentially used quotes from the first videos as making up about half the article. You don't even have to speak Korean to see how much these quotes make up the article. Yet, not only did they not attribute the quotes properly and specifically, like any article should when taking specific quotes from a clearly defined source, the article opens with "Yi Soyeon wants to make a lot of money and buy her mom a house!"
Now, not only was that taken out of context (since it was said half-jokingly and along with the more serious statement that she would give money to her school and help support scientific research), without a link to the video in question (which, as a UCC, is openly available, and as a source for nearly half the article, should have been linked to so that readers could see it for themselves), one might actually forget the very important fact that this was said back when she had made the final 30 candidates, well before she had actually assumed any responsibilities as either one of the two final candidates or before going into space.
At the time, we were sitting in a coffee shop in Shinchon and just having a chat about the interesting fact that she had even made it this far. Important to note in the video is the fact that she really only wanted to make it as far as getting the free trip to Russia before being cut -- one could not even try to claim that she was in the mindset of a final candidate and that she was "in it for the money." She was just talking and joking a bit about the future -- a future that was more than two years away and one which I am sure she could barely even imagine as coming true. Really, who could have?
In any case, the main problem here is that this article is based on a video interviews that are not explicitly shown or even referenced. The name of the video wasn't given, nor was the name of the interviewer (me), nor even the title of the interview itself.
If this isn't close to plagiarism, or copyright violation, I don't know what is. Technically, the piece mentioned that it was from "a UCC made by Soyeon's friend," but that's not enough. I'm not concerned about getting my name out there and getting fame and fortune off of this. Sure, I would like publicity for the video magazine SeoulGlow, even though it has become a back burner project; one of the reasons for doing the interview was based on the "what if" nature of the whole thing. We both joked during the interview that she'd promote my site and hook me up if she actually made it. That was then.
Now, I scarcely expect that Soyeon will look into the camera on the ISS and say, "Go to www.seoulglow.com! That's S-E-O-U-L-G-L-O-W-dot.com!" In the end, it's just about as ludicrous to say that Soyeon went through the grueling selection process as a "UCC publicity stunt" as to say that she did it to "buy her mom a house." But hey, she said it in the video, right? Two years before the fact and well before any of this had become a reality, she said it, right? Soyeon's in space to promote a web site she barely knew about and to buy her mom a fat crib. Riiiight.
I just think credit should be given where it is due. If I write a book and you lift quotes from it left and right, the author's name and title are expected. If one makes a movie, credits are crucial. What is different about this situation? This is intellectual property, and one of the bases of intellectual property law is the assumption that if you can't guarantee ownership of the work, if you can't even be guaranteed to be recognized for works done, then it decreases the motivation to create such works. Didn't the author learn this in journalism school?
I wrote a letter to Yang Hyeong-mo, the author of the Donga.com piece in question, addressing these points. Here's the reply I received, which was apologetic, acknowledged the mistake, and agreed to update the information to link back to the original video so that any reader could see the context of the quotes and authorship of the work is clear and obvious again:
Now, that's all well and good, except for the fact that I sent a reply letter that continues to be blocked by the spam filter, no one at the editorial desk has ever picked up the phone at the number I was given initially (02-2020-1200), and the number at which I was told "someone will definitely pick up" (02-6749-2000), no one has. I called the DongA.com main line (02-360-0400) four times, the first three of which were cut short by someone picking up the phone and only to immediately hang it up, and on the fourth time, exasperatedly took my call. Here's the letter, which I don't know if the reporter ever got. I was polite and gracious, and have been waiting for something to be done:
우리 UCC하는사람들이 (특히미국에) 돈버는것아니라서 attribution이나 recognition만바라는겁니다. 그리고아시다시피미국언론이랑 blog community랑 UCC community랑아주친한사이있거든요. Blog들이온라인신문의가자들의홍보를엄청많이하니까요. 그래서뭐 NYT이나한상기사의끝에 "in the blogs" 그런비슷한링크를잘제공해주고 Digg, Facebook, MySpace의추천기능도해주는겁니다.
일단제가한국에서는아직도 blog/UCC는일반언론하고사이친하지않는건알고있습니다. 그리고많은 blog/UCC 하는한국사람들이아직도표절/copyright 위반을많이하는건. 그래도제 video magazine그리고다른 web project들이미국식으로완전한 professional하게진행하려고하는데 (바른온라인매거진/비디오매거진으로서) 아직도한국언론한테 UCC community가인정많이못받았으니까이렇게민감하게됐습니다.
제말씀그리고어색한한국말을이해하셨으면좋겠습니다.
감사합니다.
So far, it's been impossible to get through to these people, due to lazy phone skills, overzealous spam filters, and a seeming desire to hope this problem will somehow fade away by itself.
Is this the behavior of a major Korean newspaper? Is this the level of Korean journalism? Where are the corrections? Why is the story still unchanged, unaltered, even after the reporter said in an email that he would correct the problem?
I can't get through to them, no one answers the phone, and I think I'm being given the runaround. So I write this to document this and to also pressure DongA.com to get its act together.
I want the source in the article clearly attributed and a correction printed. Since I can't send them an email, nor will anyone take my calls, perhaps they'll see this link in the referral statistics and see it there. And I am going to propose to Ohmynews.com translating a condensed version of this post into Korean as a piece of media criticism and an attempt to deal with some of the silly stuff being said in an interview two years prior to anyone even imagining who Korea's first astronaut would be -- including Soyeon herself.
From a long time spent in Korea, I've learned that nothing gets done to rectify inconvenient truths or errors unless somebody makes a public stink about it -- until someone starts yelling and acting indignant, nothing gets fixed.
It's done. Now you can see the much-promised, much-delayed, final interview with Soyeon. I think that when you watch it, you might be able to see why I held onto it for so long -- one reason was that I thought it would be most relevant around the time she went up, and the other reason was because I didn't want to help publicly pigeonhole her into being the backup astronaut well before the decision was made.
For a long time, the video seemed particularly fitting because she indeed became the backup; now that she's sitting in the first chair, it's even more interesting. Enjoy, Marmot's Holers... I posted it there first. I haven't even upped it to YouTube yet, and KBS is coming to my house to interview me and get the original DV files of the vids for broadcast in 40 minutes. But I wanted you guys to get it first. I'll wax wordy and wise about all this on my own blog later.
This is the last time I will post here. My time as the "Metropolitician" is up.
I've realized a lot of things over the last week or so, since falling for a certain young lady of a more conservative persuasion, who has quite literally rocked my world. I realize that a lot of the liberal ideas I had formerly and formally adhered to were largely misconstrued notions I had held, distortions of ideological ramifications that simply had no precedence in either established fact, dilapidated fiction, or even (and not either) the demonstrated dialectics of most people's dystopic desires.
In short, a new kind of love has made me into a harder, more turgid man.
No longer will I carry the torch for a a deluded liberalism, nor be the voice for lefty illiberality. What I truly hanker for is a haughty helping of a hunk of cheese that isn't defined in terms of a mere neo-Freudian kitsch, but the kind of cheese one can count on, like money in the bank; indeed, one needs sustenance so solid and reliable one can literally stick it in a pipe and smoke it.
So I can no longer continue to write here, after having fallen for someone like the one who has learned to call me "oppa." Such is an experience I never thought I could have had, either as a black man, or a Star Trek fan, and her highly-developed sense of what I have previously called here mere "fetishized femininity" has caused in me an emotional rise that is quite epic in its tense and torpedo-like tautology. Indeed, they didn't call Moby a "Dick" for nothing, as they say. Unlike the proverbial Ahab, my little lady has actually caught her whale.
When wondering why I have decided to forgo any further forays into formalism and endorse not Barack "Aladdin" Obama, but rather John McCain, the answer becomes perfectly obvious, does it not?
When you ask yourselves these questions, as you struggle for the answers, yet still can't bring yourself to face the truth, realize that Tom Cruise once said, quite poignantly, that the "truth could not be handled" and that in a similar situation, Al Pacino pointed a finger and said that the entire Supreme Court was indeed, very much "out of order."
In the same way, I was once out of love, and was so lost without her, but believe you me -- I now realize that it's hip to be square. Or did not Huey Lewis not give you that news?
So, it is with heavy hands that I make my last entry here, since the Metropolitician that was me has completely and totally ceased to be he.
For Pak Geun-hye's youngest daughter knows how to hit me where it counts, and to not just do that to me once, but likes to hit me, baby one more time, all the time, if you catch my meaning, number one Negaroni! See, I don't shrink away from saying, loudly and proudly, what needs to be said. And if you didn't get it from the passage above, you need a double dose of dis doubletalk. April mothafuckin' fool's, bitches!
Before you say this site is "anti-Korean" or bashing Korea – read this: "Why Be Critical?" Chances are, if you're simply angry because I am a social critic in Korea but not actually Korean, see if your argument isn't just a kneejerk response that follows these patterns.
Session 1: Just the Basics
Dealing with the basic operations and functions of your DSLR, explaining each function, button, and doo-hickey. The bulk of the session is likely going to stick around the relationship between aperture and shutter, as well as depth-of-field. Basically everything on your camera has something to do with this relationship.
Session 2: Composition and Shooting (Shooting Session 1)
We'll take those examples and look at them on the big screen, while also answering the concrete questions that will pop up about the stuff we learned before. Then we'll talk about composition and other framing issues, including lens lengths and why some lenses are worth $100 bucks and some are worth $10,000.
Session 3: Flashes and Advanced Exposure (Shooting Session 2)
Dealing with flash, in terms of compensating above and below exposure levels (bracketing), as well as other bracketing techniques in general.
Session 4: Final Session/Critiques
Keeping it open, determined by the class.
Four 3-hour sessions, as well as shooting sessions, photo discussions, and critiques. An individual photo essay will also be done as part of the ongoing class assignments. Inquire at the email address at the top right of this page.
As for my photo book (now in limbo due to editorial differences with the publisher), you can see the representative chapters from the "Seoul Essays" posts below. Note that Chapter 3 remains undone and in limbo on my computer:
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